Afternoon had blurred into evening, the worst of the heat subdued by clouds in the west, when I heard a knock on the door. I opened it cautiously: the silhouette I saw through the patterned glass did not look familiar.
“Hi,” the man said. “I’m Michael Mann and I wanted to take some pictures of your house — my grandma used to live here.”
He looked harmless enough, if a little sweaty.
“Yeah, my grandparents lived here back in the ‘70s, and all of us cousins used to come over on weekends,” he went on, “and since my family is traveling through on vacation, I wanted to get a photo of Grandma’s house.”
No problem, I told him. In fact, I could move the vehicle we’d left parked by the front curb if that would help him take a better photograph. As a precaution, I told my daughter to lock the door while I moved the car — just in case Mr. Mann was actually a criminal seeking entry to our tidy but unimpressive home. When I walked across the street, though, Michael Mann’s wife and five children spilled from their minivan, looking hot and a little cranky and utterly normal; they erased all my worries about homicidal maniacs.
We exchanged casual conversation while Michael snapped pictures and then I said, “Hey, would you like to see the inside of the house?”
This is the part of the story that caused my son and husband, a few hours later, to roll their eyes. That led A.J, 13, to say, “Mom! How did you know they weren’t, you know, crazy?” And his father to mutter something that sounded like “I don’t know how you ever got out of Chicago alive.”
“It’s not like I wasn’t paying attention. They were nice people,” I said. “And anyway, I talked to them for a while outside, and they were just your normal family from Kansas. He grew up in Dodge City. They had a baby. They had five kids —” of whom at least one, I had noticed, was not enjoying the blended family’s midwest excursion.
“Has the trip been fun?” I asked the sulky preteen girl.
“No,” she said. “It’s really boring and really stupid.” I couldn’t tell if she was a “his” or “hers” daughter, but I figured both parents had absorbed plenty of attitude as the family toured the Mid America Air Museum and Dorothy’s House.
“We got to climb in airplanes,” announced a smaller sister, undeterred by teenage angst. “Real ones! And go inside of ‘em.”
My interviewee rolled her eyes.
“Maybe it will get better once you get to Colorado,” I said. “The mountains are beautiful and it’s cooler there.”
Meanwhile, Michael Mann and his wife exchanged uncertain looks. He clearly itched to sneak a peek into Grandma’s house. She didn’t want to be pushy.
“You don’t mind?” she said. “I mean, we just showed up.”
“It’s OK,” I said. “I washed the dishes and things are mostly clean.” While I unlocked the door, I told them about how my father, who grew up in India, got to tour his childhood home 50 years after he’d emigrated to the United States. His extended family had shared three houses connected to a common courtyard, uncles, aunties, cousins and siblings in one noisy, affectionate compound.

Union Baptist Church in Khargpur, India, where my father was baptized as a child. Fifty years after his family emigrated to the U.S., he was able to visit his hometown and go inside his old house and church. Watercolor by Robert Seth.
“He was looking at the yard outside their old bungalow and the people who live there got all excited — someone from America! ‘Come in, come in,’ they said, and offered everybody tea. It was pretty cool,” I told them. Though the property was sadly changed, having been divvied into smaller, poorly maintained living quarters, it meant so much to my father to see it again after decades away.
The old cliche claims you can’t go home again, and some people say you wouldn’t want to. After all, things change, change is uncomfortable and memories are often brighter when they remain untouched by time. Yet that was not the case for my dad, whose memories held up at his old house, church and boarding school. If anything, his affections were heightened by visible traces of the past — the slate floors where he and his twin brother scribbled with chalk as toddlers, the unchanged sanctuary at the Baptist mission church where he was baptized, the narrow beds in Friar Tuck House at Sherwood College.
Inside his grandmother’s old house, Michael seemed to take great satisfaction in the placement of our sofa — just where his memories said it ought to be — and the familiar kitchen cabinetry. In the back yard, he paid homage to the old, battered maple tree which looked, he said, pretty much like he remembered.
“Man, we used to climb this all the time,” he said to the children, and, handing the camera to his wife, “Will you take a picture?”
The children — even the unhappy daughter — giggled as Michael pulled a silly face for the camera.
“That’s exactly what I did when I was ten,” he said in satisfaction. “This is so cool.”
I stood to the side and watched Michael Mann grin at the camera. His happiness was so transparent, I could almost see the little kid inside this stranger as though I knew him.
Perhaps the reason we go back to places we recall is to verify that our life story is as real as present circumstances — that those cookies at Grandma’s kitchen table were as sweet and real as the bills we juggle and the daily irritations at work, in traffic, on the road with recalcitrant offspring. Time is fluid and can cause us to lose our bearings. It moves and changes everything from a landmark on the edge of town to a man’s character.
It’s good to look back every now and then to reclaim what is worth saving. The kind of laughter cousins share as they clown in the cool summer grass. The familiar drone of locusts as the streetlights come on, and a hot Kansas day subsides into something softer. The sense of careless security found at a grandparent’s home.
The gift of being able to walk to the door, where someone waits to open it and offer a welcome.
— August 15, 2010